01 of 12. Orlando / Dhaka
2012: Qinetic begins.
Qinetic Music begins with a clear idea: Bangla music should travel without borders.
Artist & Label Services launches with major Bangladeshi labels, bringing generations of music to global platforms and setting a new distribution standard.
- Founded
- Global distribution
- Artist services
02 of 12. Building the bridge
2013–15: The digital bridge takes shape.
New paths connect Bangla catalogs, independent artists and listeners around the world.
International platform relationships, rights systems and direct digital access turn a local catalog into a global network.
- Catalog growth
- Rights
- Digital access
03 of 12. Grammy red carpet / Level 13
2016: Bangla music enters new rooms.
Zohad Reza Chowdhury becomes the first Bangladeshi musician on the Grammy red carpet.
In the same year, Jalali Set’s Level 13 gives Bangla street rap a defining full-length statement and a wider cultural stage.
- Recording Academy
- Jalali Set
- Bangla rap
04 of 12. National recognition
2017: The catalog grows.
Major releases and expanding artist partnerships deepen Qinetic’s presence at home and abroad.
Tor Premete joins the network’s growing body of widely heard releases while the distribution operation keeps scaling behind the music.
- Tor Premete
- Awards
- Catalog
05 of 12. A new voice
2018: Muza arrives with Bondhurey.
A modern fusion record introduces an artist who will help shape the next chapter of Bangla pop.
Bondhurey brings Bangla melody into a contemporary electronic frame, connecting a new generation across Bangladesh and the diaspora.
- Muza
- Bondhurey
- Fusion
06 of 12. Urban fusion goes global
2019: Bangla Urban travels.
Master-D and Mumzy Stranger’s release becomes a 40M+ view cultural signal for Bangla Urban music.
Habib Wahid and Tahsan Khan attend the Grammys, while Qinetic brings the Bangla Urban movement into the industry conversation in New York.
- Tumi Jaio Na
- 40M+ views
- Grammys
07 of 12. The world pauses
2020: The music keeps moving.
When stages close, Qinetic turns release campaigns into participatory digital moments.
Open verse challenges, online contests and interactive content keep artists and listeners connected through a year without live rooms.
- Digital campaigns
- Open challenges
- Community
08 of 12. Cross-border creation
2021: Collaboration becomes a network.
Artists and producers work across cities, countries and disciplines as streaming accelerates.
A stronger digital backbone makes ambitious independent releases possible, setting up Qinetic’s largest collaborative era yet.
- Streaming
- Collaboration
- Independent artists
09 of 12. The collaborative hit
2022: Beni Khuley breaks through.
Habib Wahid and Muza unite generations in one of modern Bangla music’s defining collaborations.
The release clears two million views in its first week and grows into Spotify Bangladesh’s most-streamed Bangla song of 2023.
- Habib Wahid
- Muza
- Spotify #1
10 of 12. The global stage
2023: A new generation steps forward.
Pritom Hasan and Xefer Rahman attend the 65th Grammy Awards as Qinetic invitees.
Qinetic also handles digital distribution for Coke Studio Bangla, carrying its collision of traditional and modern sound to listeners worldwide.
- Pritom Hasan
- Xefer
- Coke Studio Bangla
11 of 12. Genre without borders
2024: Bangla house changes the temperature.
Sanjoy and Muza build a ten-track house album around Bangla language and electronic movement.
Fuad Almuqtadir and Muza continue Qinetic’s Grammy tradition while releases including Ekla Duniya and Shei Ashate widen the sonic field.
- Excuse My Bangla
- House
- Grammy Awards
12 of 12. The work continues
2025: Still building.
Arale Harale and a new wave of fusion releases carry the catalog into its next era.
More than a decade in, Qinetic remains built around artists: protecting rights, creating reach and pushing Bangla music into new territory.
- Arale Harale
- Bangla New Era
- Global reach